Showing posts with label interviews. Show all posts
Showing posts with label interviews. Show all posts

Thursday, May 22, 2008

SBBT: Mary Pearson



Ask me what my three favorite books of 2008 are so far, and I'll tell you, in no particular order, they are Paper Towns by John Green, The Disreputable History of Frankie Landau-Banks by E. Lockhart, and The Adoration of Jenna Fox by today's SBBT interviewee, the awesome Mary Pearson.

Carlie: Your latest book, The Adoration of Jenna Fox, is a big departure from your previous work, A ROOM ON LORELEI STREET. What inspired you to create Jenna
and her futuristic world?

Mary: I think all of my books are a departure from the previous ones, but this one did actually make a time jump to about fifty years in the future so I guess that does make it a bit unique from all the others. A couple of questions were the motivating sparks for this story: How far will medicine advance fifty years from now, and also, how far would a parent go to save their child?

I asked myself both of these questions several years ago when my own daughter was diagnosed with cancer. After I got over the initial shock of her diagnosis, I quickly became grateful that there was such good treatment available for the type of cancer she had because just fifty years earlier she probably would have died from it. And that led me to wonder what treatments might be available in another fifty years. And then while she underwent treatment at the hospital I saw a lot of children who were going through even more intense and longer treatments, and not just what these kids were going through but what their parents were going through too. Again, it made me wonder how much a parent would be willing to put their child through in order to save their life. How far would I be willing to go?

These were just wonderings--not ideas for a book--but I think the questions that niggle at our hearts have a way of surfacing in our work. And a few years later exploring these questions through another family and a different situation gave me the safe distance that I needed. Of course, Jenna's family and situation were unique and the story took on a life of its own with new
questions and themes emerging as the story unfolded. I think many of these questions are timeless ones that we all revisit throughout our lives. What makes us human? What makes me, me? How am I different? Do I fit in? Am I enough? The particulars of this story also gave me a lot of opportunity to explore the gray areas of science and ethics, spirituality, morality, and choices. I think we all imagine what choices we would make in an impossible situation,
but until we are actually facing it, I am not sure we can ever really be sure of the paths we will take.


Carlie: Wow, that was incredibly informative! Thank you for sharing that with us. What are your plans for future books?

Mary: I have a finished manuscript that I recently sent off to my editor that I will probably begin revisions on in June for publication in Fall '09. It's a larger than life type of story about four teens who take off on an unauthorized road trip. It's fun and outrageous, and again, a departure from my other books. After the intensity of my last two I think I needed something like that.

Carlie: Now for some fun: Finish this sentence: People might be surprised if they knew I was good at...

Mary: Roof repairs. Actually, I'm the handy person around the house. I grew up with a dad who could fix anything and never met a tool he didn't like, so taking my dad's lead I will attempt almost anything. I remember when a tree branch fell through our roof and when I went to Home Depot for supplies the sales guy took one look at me and said, "you'll never be able to fix it." Ha!
That was the wrong thing to say to me. After that I think I would have fixed it myself if I had to cut each shingle with my teeth.

Thank you for your wonderful answers, Mary! We'll all be looking forward to your next book.

Wednesday, May 21, 2008

SBBT: Barry Lyga

When Liz asked me who I wanted to interview for Tea Cozy for the Summer Blog Blast Tour, I had two immediate answers: Barry Lyga, author of Boy Toy, which was my favorite book of 2007 and Mary Pearson, author of The Adoration of Jenna Fox, one of my favorite books of 2008. You'll see Mary's interview here later this week. For today, Barry kindly answered our questions, even though he is in the throes of revision.

Carlie: Congratulations on winning the Cybil Award for YA fiction! Tell us how it feels to win.

Barry: Obviously, I'm honored and touched that someone thinks highly enough of my work to give it an award. It's a great feeling!

At the same time, I've always worried about becoming so invested in awards that I lose sight of what's important -- the work itself. So when I won the award, it also had the odd side effect of making me more self-critical than ever, very much on alert that I don't let the writing suffer.

But, hey -- now I can put "award-winning" in front of my name, and God knows I love gerunds. :)

Carlie: Can you talk a little about your upcoming book, HERO-TYPE?

Barry: Sure. It's sort of complicated to boil down because there are a lot of thematic threads, more so than in either of my first two books. It's about heroism and patriotism and -- more importantly -- PERCEPTIONS of those ideas. I guess the best way to describe is that it's about a kid who's in the right place at the right time, and the world calls him a hero. Then he's in the wrong place at the wrong time, and suddenly he's a villain. And the book is really his struggle to figure out which one is real and why it matters.

Carlie: Here's my favorite question to ask authors: What's one book, written by someone else, that you wish you had written?

Barry: Oh, no question about it: Godless, by Pete Hautman. I am just endlessly impressed by that book. It's funny and it's serious. It's scary and it's heartfelt. It tackles a huge issue -- religion -- but it does so on a comprehensible, human scale. And it's SHORT! You can read it an afternoon, but in that afternoon, you'll laugh out loud, get choked up, and find yourself with a new understanding of organized religion. That's pretty damn impressive, especially in two hundred pages.

Thank you, Barry! (And I confess, Pete Hautman is probably my favorite YA author ever.)

Tuesday, May 20, 2008

SBBT: D.L. Garfinkle

Back in 2006, I interviewed D.L Garfinkle. Now, two years and multiple books later, Debby returns, this time as part of the Summer Blog Blast Tour 08.

Liz B: Debby, welcome back!

Debby: Thank you! I don't feel I've been away, though, as an avid reader of your blog.

Liz B: Thank you!

Back in 2006, Storky had just come out. Now it's only two years later and wow – look at all the titles! Stuck in the '70s and the Band series.

Debby: I feel so lucky, having so many books published. But I never want to work as hard as I did in 2006. I was writing like a maniac. I had five novels published last year.

Liz B: Can you tell us about your newest books, the Supernatural Rubber Chicken series?

Debby: The Supernatural Rubber Chicken chapter book series is for children ages six to ten. The first two books, Fowl Language and Fine-Feathered Four-Eyes, come out on June 10. The other titles so far are Poultry in Motion, Keep on Cluckin', and Chick Magnet. So much fun! There will be at least six books in the series and they can be read in any order. My main goal in writing these books is to make kids laugh, but there's also a little lesson-y stuff too-- just a little.

The Supernatural Rubber Chicken series features ten-year-old twins who receive a rubber chicken that can grant superpowers. Ed, the rubber chicken, is cranky but has a decent heart. Pop culture fans like you might compare him to Dr. House. Older pop culture fans like me might compare him to Lou Grant. I also created a lot of fun secondary characters such as Dave the surfer dude; Mrs. Crabpit, the mean, stinky teacher; and, under the write what you know principle, the twins' mother, who is so busy writing books that she ignores her children.

Liz B: You had me at "keep on cluckin'". What got you interested in writing for a younger age group?

Debby: I have three school-age children. I had written books for teens, which my oldest child enjoyed reading. One day, my youngest child said, "When are you going to write a book I can read?" And so I did. My kids have helped me come up with ideas for the series and have critiqued all five books I've written so far.

I've also enjoyed reading funny chapter books to my children, such as Junie B. Jones, Captain Underpants, and My Weird School, and thought it would be fun to try writing some myself. And it is fun!

Liz B: What are you working on now?

Debby: I'm revising the fifth Supernatural Rubber Chicken book as well as revising a young adult novel involving sex, politics, and religion. I have to be careful not to accidentally write a scene of the rubber chicken making out with a politician.

Liz B: What's your favorite part of the book process: writing, rewriting, or editing?

Debby: I really, really despise drafting. Blech! I love to revise when I feel like I know what I'm doing. When I don't know what I'm doing, well, revising still beats drafting.

As to suggestions from editors, I usually get indignant the day I read a revision letter from my editor, thinking that she doesn't know what she's talking about, that my manuscript was just fine before she got hold of it. But a few days and maybe a few glasses of wine later, I feel grateful that the editor's wise comments will help me improve my manuscript.

Liz B: How has your life as a writer changed since Storky was first published?

Debby: I think I get more respect when I tell people I'm published. Before, I was a homemaker with a writing hobby. Now I have a "career."

And though I still spend most of my time schlepping my kids to their activities and nagging them to do their homework and figuring out what I can microwave for dinner, I do have my glamorous moments, which I adore. I've given a lot of author talks and writing workshops, sometimes speaking to entire schools. My publisher just flew me to Atlanta for the International Reading Association conference, where I spoke to reading teachers and signed hundreds of advanced reading copies of the first Supernatural Rubber Chicken book. I felt like a star! My first book, Storky sold in four languages and just came out in audio format. So cool! But the best thing about having books published is getting great fan emails from kids and teens.

Liz B: Will you be at ALA this June?

Debby: Yes! On Saturday of the conference, I'll be signing my Supernatural Rubber Chicken books. I'm thrilled that this year ALA is only about 25 minutes from my house.

Liz B: And, of course, what is your favorite area of pop culture?

Debby: So hard to choose! Probably reality TV these days. My family watches Survivor, American Idol, and Amazing Race together. We're teaching our kids how to lie, cheat, and backstab to get what they want. Isn't that lovely.

Liz B: I'm also going to sneak in one more question. This is a virtual interview, but if it were real – coffee? Tea? Hot chocolate? Or something else?

Debby: I'd die without coffee, so I have to choose that. But I'm also not one to turn down an offer of tea or a mug of hot chocolate,

Liz B: Thanks!

Debby: That was fun. Thank you.

Find more SBBT Interviews:

Tuesday, May 20th
Ben Towle at Chasing Ray
Sean Qualls at Fuse #8
Susane Colasanti at Bildungsroman
Robin Brande at HipWriterMama
Susan Beth Pfeffer at The YA YA YAs

Updated to add Kelly F's interview with Jennifer Lynn Barnes at Writing and Ruminating.

Thanks to Little Willow for the coding!

Plus, Chasing Ray has a daily round up with highlighted quotes for each interview.

Monday, March 17, 2008

Interview with Carlie Webber

Carlie Webber is running for the Printz; if you're a YALSA member, you either have (or soon will have) your ballot. Eight people are running for four slots on the committee; the YALSA blog has a Q and Q with all candidates.

Readers of Tea Cozy know that Carlie began contributing to Tea Cozy several months ago. Here's a chance to get to know her a little bit better, with a few questions about Printz type matters.

Liz B: How do you define "Young Adult" literature, as opposed to "children's" or "adult"?

Carlie: YA literature should capture the coming-of-age experience and the independence and identity that a teen character gains through it. To me, what separates a YA novel from an adult novel with a teen main character is the lack of perspective on the part of the main character. A YA novel describes coming-of-age events as they happen, with no sense of looking back and thinking about what could've been.

Regarding the separation of children's literature from YA, I have a few points. The age of the main character is the obvious one. The not-so-obvious one is looking at the coming-of-age events I mentioned before. In a YA novel, the main character has a definite separation from his or her parents, establishing independence. Events will happen that will make the main character reconsider the world he or she knows and s/he'll take the first steps towards establishing a place of his/her own within it. There are some novels that there's an argument for either way, children's versus YA, but the establishment of independence separate from parents is a big litmus test for me.

Liz B: This is cheating a bit, but I liked this question when YALSA Blog asked it last year. Give us one YA title, published in 1998 or before, that you think would have made an excellent Printz Award Winner if the award had been in existence then?

Carlie: I know the popular answers to this question are The Golden Compass and Weetzie Bat, but I'm going to be the maverick here and say Rats Saw God by Rob Thomas.

Half of what makes a book literary is how the author chooses to use language in the context of his or her setting. Thomas used language and first person perspective to emphasize how Steve York's view of himself changed as he wrote the essay. As a result of these language choices the reader saw Steve as raw, simultaneously bewildered and jaded by his relationships with his father and Dub, and Thomas created someone unforgettable. The sort of bitter humor Thomas used is something we've seen in a number of lauded books lately, like The Absolutely True Diary of a Part-Time Indian by Sherman Alexie and An Abundance of Katherines by John Green.

Liz B: What is your pop-culture area of expertise?

Carlie: I have a few of those!

First, classic and hard rock. As I explain to fellow fans of Supernatural, I have Dean Winchester's taste in music. Some of my favorite bands include Led Zeppelin, Rush, Shinedown, AC/DC, Seether, Audioslave, Nirvana, and Velvet Revolver. I even filled out the 92.3 K-Rock March Bracket Brawl...but I lost because I picked Tom Petty to win over Pink Floyd in today's afternoon round.

Second, crime shows. Much of the father-daughter bonding in my parents' home was done over episodes of Law & Order and I've never lost my love of crimesolver shows, both fictional and documentary. My current favorites are Numb3rs and NCIS, and I thought Cynthia Nixon was completely brilliant on Law & Order: SVU earlier this season.

Third, bad reality television. As I've explained to people: I spend the majority of my time reading books, giving the best advice I can to my fellow professionals, looking critically at developments in literature and technology, and generally doing the best I can to make the YA library world a good place. When I come home and watch TV, I want to shut off my brain and I believe in doing things right. So yes, I love House and Numb3rs and all those shows that require cerebral involvement, but I am also completely addicted to America's Next Top Model. I'm hooked on Flavor of Love, Rock of Love (I actually listened to Poison when I was a kid! I know who Bret Michaels is!), Hell's Kitchen, Celebrity Fit Club, The Pussycat Dolls Present: Girlicious, and even the not-so-bad reality shows like Top Chef and Project Runway.

Liz B: Thanks, Carlie! And hmmm... I haven't been watching NCIS... I guess I better go to Netflix and add it to my queue!

Cross posted at Pop Goes the Library.

Sunday, November 11, 2007

Diana Magnuson: The Interview!

Diana Magnuson's snowflake was highlighted in the beginning of November. For more information on the snowflake auction, Robert's Snow, go here.

Diana agreed to an interview, so here is some additional insight into Diana's work, her process, and her snowflake. She reveals what the faerie is holding; and she gives the best answer, ever, to my stock question: what is your pop culture area of expertise!

Liz B: I blog not just about books; but about how important story is in our lives. What children's book or children's book illustrator has most inspired you?

Diana: Gennady Spirin inspired me. The Russian trained artists have amazing compositions.

Liz B: How did you get involved with Robert's Snow?

Diana: They contacted my online writers/illustrators group (PicBookArts) and asked for volunteers.

Liz B: What inspired your snowflake?

Diana: I wanted to do something 3-dimensional and love drawing fairies, elves, trolls...and stuck an earring of mine on there as I lost the other one.

Liz B: Could you tell us something about your most recent book, Home on the Range?

Diana: It hasn't really got a strong story line as it's an American heritage song. I had photos from Dayton Hyde's ranch in the Dakotas that rescues mustangs for the background. He actually grew up in our house by Lake Superior. He's a writer. The illustrations show a non-traditional family on a cattle drive. It's quite subtle but the little boy is learning to ride throughout.

Liz B: I also blog about pop culture. What is your "pop culture" area of expertise?

Diana: Mind-body health, organic foods, tai chi.....

Liz B: Thanks, Diana!

Friday, November 09, 2007

Strike!

The Writers Guild of America is on strike; their contract expired October 31, 2007.

Why are they striking? It's a brave new world; how we get our television has changed since the days of rabbit ears and a handful of stations. And, in a nutshell, the TV writers are saying, they want their fair share of the profits from their work product.

And all I have to say is ... four cents for each DVD sold? I'm shocked.

Jeff Gottesfeld kindly agreed to answer some questions for Pop (and agreed for this to be cross posted at Tea Cozy.) Those of you who read YA literature or watch daytime TV may be nodding your heads, recognizing his name. With his wife Cherie Bennett, is the associate head writer of The Young and the Restless on CBS. They are members of the Writers Guild of America (East) and are currently on strike. Working in TV, film (Broken Bridges), young adult fiction (Anne Frank and Me, Life in the Fat Lane, and A Heart Divided), adult fiction (Turn Me On, wring as Cherie Jeffrey ), as well as various other rumored pseudonymous projects, and stage (Reviving Ophelia, Searching for David's Heart), they live in Los Angeles with their son.

Liz B: I have to confess, one of my first reactions to the strike was selfish, oh, no, but my shows! Followed by, ah well, time to catch upon DVD watching. But then I wondered, hey, do the people who contributed to making the DVD get a fair share? (Seriously, even before the strike, I've wondered if the only people making money are the production company.)

I am also one of those people who think being a TV writer must be made of awesome. So, as I write these question, I'm both curious, and also a bit of a fangirl.

For the layperson, can you explain what exactly why the WGA (Writers Guild of America) decided to strike?

Jeff: Let me start with a caveat: I am not a member of my union's negotiating committee, and my understanding of these issues are a layman's understanding. The WGA offices in Los Angeles or New York, and particularly their websites http://www.wgaw.org/ and http://www.wgaeast.org/, have more and better details than I could possibly provide here.

The WGA decided to strike because the only thing that would be worse than striking would be not to strike. We came to this decision with the greatest of reluctance, when it became apparent to our negotiating team that the AMPTP (Association of Motion Picture and Television Producers), the major-producers consortium with whom we negotiate our writers' deal every three years, was not willing to tackle in good faith our major issue: what to do about payments to writers for materials streamed or downloaded on the Internet. We took important contract proposal after contract proposal off the table in an effort to create negotiating movement, as late as six hours before the strike deadline. We got nowhere.

Liz B: Which networks are affected? Not to be silly, but being as I have BBC America (yay Torchwood!) and watch DeGrassi (Canadian) on Nick at Night, I just wondered if all TV shows are covered or not.) What writing is affected?

Jeff: Our strike runs against WGA signatory companies, of which there are a few hundred. Not only does it cover the major TV networks and movie studios, but also a plethora of production companies. We had to put our pencils, pens, and computer keyboards down.

Scripts in development that had been acquired or optioned have to be shelved until the end of the strike. For us, Cherie and I wrote The Young and the Restless script #8796, which airs on the day before Christmas, and submitted it just before the strike deadline. A few more hours would have sunk that script. Not only that, writers can't negotiate with a struck company. We've had to tell our agents to stop. Here are the full strike rules: http://www.wga.org/subpage_member.aspx?id=2493 They are extensive.

Here's what is largely affected on the TV side: scripted material that has yet to be written. Sitcoms, late-night TV, Saturday Night Live, Heroes, daytime dramas like our own The Young and the Restless, etc. Animation depends on whether the contact is with a Guild signatory. The WGA press office can give you more particulars on all these details. Canadian writers have been told to put down their pens on all the USA work. British shows are not affected. Nor are shows that have already been filmed, nor shows for which scripts were finished before the strike deadline. DeGrassi is safe; at least those episodes have already been filmed.

Liz B: What is the current contract (if any) for streaming media and DVD sales?

Jeff: DVDs. Currently, writers get four cents US for each DVD that is sold. That's split amongst the writers of the episodes on that DVD, remember, if it's a television compilation like Lost. This is a small fraction of the cost of the DVD. We'd like to see that increased, but the DVD proposal was reportedly one of those that we would have been willing to shelve had the producers been forthcoming on the new media side.

On streaming videos? We get zip. Zero. Nada. Our dear friends at Heroes (we know a couple of the writers from our Smallville days) get to see their shows streamed at abc.com, complete with commercials. There have reportedly been 90 million (no, that is not a misprint!) downloads. Know what the writers get? Zero. If they got a a tenth of a penny per download -- a tenth of a penny! -- that would be $90,000.

What we're looking for, as the distinction between broadcast and broadband whittles down to zero, is this: if the producers make money, then the writers ought to participate.

Liz B: Do the writers get anything for shows made before DVD or Internet technology was available?

Jeff: Answer: yes. That's the basis of our whole residuals structure. Every time that an episode of, say, Smallville is rebroadcast on television, the writer gets a certain payment as residuals. Those episodes of I Love Lucy that are shown on Nick at Night? Residuals. These residuals are the difference for many writers between financial disaster and a middle-class lifestyle. As the move to content delivery shifts to broadband, this classic residual structure will melt away.

Liz B: I watch reality TV, from Amazing Race to Kid Nation to Survivor. Are those writers covered by the WGA?

Jeff: For the most part, no. And we'd like to have them. Big time. Don't let anyone tell you differently: these producers are writers.

Liz B: What's a fan to do? What's a fan to do? Speaking for myself, as someone who loves stories: Hell ya, the writers are important. And as a capitalist, Hell ya, they should be paid fairly for what they do. So, is there anything we can do?

Jeff: First and foremost, understand the stakes of this negotiation, and that the only thing worse for us than striking would be for us to do nothing. For three generations, our union's willingness to sacrifice in the short term for the long term benefit has meant that generations of writers get things basic to so many industries -- health care. A pension fund. A decent wage.

Second, keep half an eye on who the writers are for your fave shows. If you hear that the show has taken on scab writers, stop watching. The good news is, this probably won't happen.

Lastly, it can't hurt to write to the prez of your favorite network and say: "Make a fair deal with the writers. They want to get back to work, and I want quality TV."

For our part, we love writing Y&R. The show has an astonishing history, amazing actors, fine writers, and one of the best production teams I've ever seen. We want to get back to writing it, and to telling the compelling romantic and human stories that have made so many people around the world soap opera watchers for so long. (Take the Jeff and Cherie dare: Watch Y&R for three days, and you'll be hooked for life). We hope that our union and the AMPTP can reach a satisfactory settlement as quickly as possible.

Liz B: Jeff, thank you very much!

And thanks for the ideas of what a fan can do. As I said over at the blog of Gotta Book (by kidlitosphere blogger, poet, and screenwriter Gregory K), I would love a button or banner or some such Internet thingee that said, "this blog supports the WGA strike." Alas, I am not techy enough to do this. Anyone?

Thursday, November 08, 2007

Winter Blog Blast Tour: Ellen Emerson White

Ellen Emerson White is the author of Long May She Reign, a book I've included in my Best Books of 2007 (see sidebar). Readers may remember that I highlighted Ellen's books in my Under The Radar sequence this summer. You can imagine how happy I am that Ellen agreed to an interview for the Winter Blog Blast Tour!

As you read, you can see why I adore Ellen's books; as in her interview, they are a mix of serious and humor. I also found it interesting to think of Long May She Reign as a post 9/11 book, even tho 9/11 itself is not a factor in the book.


And someone who loves Buffy and Battlestar Galactica? And lives in New York City and is a Red Sox fan? How can you not love Ellen Emerson White? And it's not just me! Publishers Weekly included Long May She Reign in their Best Books of 2007. See the full PW starred review here.

Liz B: Your new book, Long May She Reign (October 2007), features Meg Powers, a character introduced in three books published in the 1980s, The President's Daughter (1984), White House Autumn (1985), and Long Live the Queen (1989.) Please tell us a bit about Long May She Reign.

Ellen: The book is very, very long--so, if you have orthopedic issues, please consult a medical professional before attempting to lift it.

It picks up approximately three months after Long Live the Queen ends. Since I am Not Very Bright, the earlier books are quite solidly set in the 1980s, or--to put it less politely--they are extremely dated. Which is why I am currently re-typing them, to bring them up to the near-future, since Long May She Reign clearly exists in a post-Bush world. All three of them are going to be reissued next spring.

As the book opens, Meg is not doing very well. (She said, with extreme understatement.) Her parents' marriage seems to be falling apart, her brother Steven is falling apart--and Meg has already fallen apart. So, all is not well at 1600 Pennsylvania Avenue. Obviously, she's in tough shape psychologically, but she also hasn't healed from her injuries--and, it's clear, is never going to have anything close to a full physical recovery.

Everything is looking pretty hopeless, and since she really doesn't have any other options, or much prospect of ever leading a normal life, she ends up deciding to go away to college, after all--in lieu of staying in her bedroom permanently. And college turns out to be very difficult--but, interesting.

In case that all sounds too bleak, I must stress that there are jokes, also.

Liz B: Your fans have been waiting for a new Meg book since 1989. Why revisit Meg now? How did you get back into Meg's head?

Ellen: There are a lot of reasons. My own life took some unexpected twists and turns, which changed the way I look at things--and if you're a writer and you don't try to address that through art, you are in the wrong profession. Also, I'm a New Yorker, and I was here on 9/11--and there's no getting around the fact that the entire world as we know it is different now. I think this is a very much a book about people waiting, uneasily, for the next bad thing to happen--and I'm sure 9/11 plays into all of that, somewhere.

Plus, sometimes you want to write a book which is just too hard to write. It took me 3 1/2 years--to the exclusion of everything else--which was a great gift creatively, but maybe not the wisest choice from a practical "pay the rent" standpoint. As a reader, I am often frustrated by writers who seem to write the same book over and over--and I really enjoy writers who absolutely swing for the fences and try to be as ambitious as possible, even if the finished novel is--short of perfection. (The Virgo in me wants to faint when I type those words.) Long May She Reign was a tremendous challenge, because I wrote the best book that I am capable of writing. 110% effort. Left it all out on the field. All of those good sports cliches. But, it's a little disconcerting to realize that you have absolutely exhausted the full extent of your abilities--and that the book is still flawed. But, what can you do?

I thought I had grown out of Meg years ago--but, no, she popped right back into my psyche in about a second and a half. The voice, the rhythm, the mind-set--all of it. And she is just as grouchy as ever. I thought that Rebecca, the lead character in a couple of my other novels, was my true alter ego--but, writing about Meg just felt like coming home.

A character from my very first novel (not a great book, but I was only 18) is a major character in this novel, and to my surprise, Susan (a less well developed character originally, and certainly much less likeable and approachable) also came back as soon as I started typing. She and Meg are an absolutely combustible mix, and that aspect of the book was really fun to write.

Liz B: Politics have always played a big part in the Meg Powers books, what with Meg being the daughter of the first woman President. But the media is also a huge part of Meg's life, especially now that she is no longer famous just for being "daughter of." What are your thoughts on today's media, and teens caught in the spotlight?

Ellen: An eleven year old I adore refers to everyone over 18 as "an elderly dude"--and sometimes, I think she might be right. The Internet has changed everything--especially, it seems, people's grasp of the concept that there is such a thing as Too Much Information.

But, given Meg's inherent New England reserve--and the fact that she has always had to be so very careful every waking moment of her life--makes it easier to fit her into this new world, without having to change her at all, really.

The media has become omnipresent, and often, irresponsible--but, I can't really complain
since I read the New York Post regularly, and watch American Idol, and just generally participate in the fun of tabloidization. So, I'm nowhere near the moral high ground on this subject.

It's very sad that so many starlet types in the public eye (especially a Lindsay Lohan, who is
actually talented) are crashing and burning, but sometimes, I think they're so addicted to the fame and attention, that they're embracing the constant coverage and exposure, despite the fact that it mostly makes them look ridiculous. Even Andy Warhol might be flummoxed by today's media climate.

That said, I have to wonder where all of their parents are. A rich and famous teenager is still a teenager. It would be nice to see them get a little sensible, adult supervision.

Insofar as the book is concerned, I think Meg's father is a tremendous grounding force in their lives. He's a much more complicated (and sometimes less nice) man than he may appear to be, but there's no question that he is doing everything he can to try and help his children lead something reasonably close to normal lives.

Liz B: Let me be the first to say, I would vote for President Katharine Powers.* (I'd also vote for Laura Roslin, but I don't think they would be running against each other.) I love the insider look at politics; but I also am a bit in awe about the character that is Katharine Powers; meaning, not just who she is but how you portray her. Can you talk a bit about her as a character?

Ellen: Wouldn't Katharine and Laura have one hell of a debate? I'd pay to see that.

When I originally finished the President's Daughter, I was only twenty. The President is much easier to write, now that I'm very close to being her age. She makes sense to me, in a whole different way.

The irony is, that she's actually a wonderful, loving parent--although she gets no credit from anyone--including herself--for being one. I would love to write a book from her point of view, but there are only 43 Americans who would be capable of doing that effectively, and only four of them are still alive, so I guess it's not going to happen. Boy, I'd love to do that book, though. The only way I could ever use her as a main character would be if I wrote a book which takes place when she's Meg's age--and, I don't know. It would be a challenge, but the idea is not without appeal.

I'm blessed in Long May She Reign, since about twelve different characters would be capable of carrying their own books--and I can't imagine what it would be like to see Meg from someone else's point of view. Steven, and Susan, are both viable possibilities for that, though.

But, the President. Hmmm. I love the President. I love it that I genuinely believe that she would have no trouble running the world--but that she is also a very nervous and apologetic person. Well-meaning. Insecure. Sensitive. But, I also like it that she's arrogant, and short-tempered--and has that ruthless, ice-cold streak which surfaces every now and then.

I think that she and Meg mirror each other in so many interesting ways--and yet, Meg is also so very much like her father. Actually, all three of the children are such complicated mixes of their parents--and it was a happy surprise for me when Neal leaped out of his former "I am a cute child" persona in this book, and became a full-fledged, quite pivotal, character, in his own right.

This doesn't really answer any questions about the President, though, does it? She's--elusive. Even for me.

Liz B: Tea Cozy readers are fans; and as fans, they are curious about the creative process. You've written over 25 books, covering everything from picture books to adult mysteries. How does the writing process differ for the different books you write? While writing Meg Powers, for instance, was it a challenge that in earlier books Meg was drinking TAB and watching Hill Street Blues and now she's surfing the 'Net and has an iPod? (And as a total aside, I just saw that Hill Street is now available on DVD. Yay!)

Ellen: Sadly, only the first two seasons of Hill Street are out now, I think--but, maybe the others are coming soon.

I can't really explain my process, because I fall into the idiot savant category--with a very heavy emphasis on the "idiot" part. It's very similar to sports, really, because the minute
you start thinking too much about how you do it--you can't do it anymore.

If I suddenly became independently wealthy, I would spend the rest of my career writing an adult novel every two or three years (spending that entire period working; not lounging about, eating Doritos), and never do anything else. But, as a Buddhist once said in a book I read (I paraphrase), there's nothing wrong with living in the moment--but, you should still open an IRA. Which, in the early 21st century, sums up a novelist's life pretty accurately.

I like some of the books better than others, and some of them are written under pseudonyms--for a reason. And, in some cases, I regret the pseudonyms, so it's a complicated mix for me.

Liz B: Not to be all greedy, considering that the new book is a brand new book, arriving in stores in October. But, can you share with us any current writing projects?

Ellen: I just finished re-typing the President's Daughter, and am on a very short deadline
to do the same with the other two. Back in the day, I used an actual typewriter for those books, so they don't even exist on a floppy disk or anything.

It's very strange to revisit one's twenty-year-old writer self, I must say. I'm not changing anything at all--they are the exact same books), but some of the anachronisms just had to go. Sadly, Meg no longer drinks Tab--she drinks Coke. What can you do? And I assume Coke isn't going anywhere. I didn't feel like changing the TV shows--but now, she's watching them on DVD, and considers them "old." The Internet didn't exist in the first three books--but,
obviously, it does now. That kind of thing. And I think that the President is sort of a "Barack Obama with experience" type. Youngish, attractive "rock star" of a candidate, who you just know must have given the keynote address at an earlier Democratic convention--and leaped into the national spotlight. It makes perfect sense to me that she's someone the Party would have gotten behind--because I would, too.

After that, I'll be doing some less demanding works-for-hire (NYC is expensive!), and then, I have to do the long overdue second adult mystery. Around the time that the first one came out, my life was unexpectedly derailed for a few years--and it's been a challenge to find a way back to that group of characters. Many of my loved ones have said that they think Dana is more like me than any of the other characters I have ever written--but I disagree, since from a writer's perspective, she's so very polite and private that even I find her a bit impenetrable.

Liz B: On to the pop culture; and with this blog being named for a Buffy quote, you knew there would be some pop culture talk. Battlestar Galactica. I never expected to fall so in love with BG, especially since I loved the original. (In my defense, I was 12.) TV sure has changed since The Brady Bunch! What are some of your favorite shows?


Ellen: I don't even know what a tea cozy is--but I want one. (I pretty much have the entire series committed to memory--and think Giles may, in fact, be the Ideal Man.) Firefly never really worked for me, but I had a lot of fun with Angel, even though I think it was a mistake to turn Cordelia into an otherworldly being.

And, "Going Through the Motions" was the best song in the musical, I think.

I love Battlestar Galactica, and am delighted by the way to which gender is entirely irrelevant, insofar as the characters treat one another. I didn't find the show until its second season--but, I adore Laura Roslin, to the degree that I even (gulp) blogged about her.

Mostly, I watch the Red Sox (and the Patriots), and CNN, and C-Span--because I am very, very boring--but I never miss American Idol, to which I was introduced by two evil and manipulative children who got me hooked on what I consider to be television crack. (and yet, one does not want to hear an eight year old happily telling people in a crowded elevator precisely that--and realizing that he is directly quoting someone who should have let her inner-edit button
operate before popping out with that one.)

It was very wrong that Melinda Doolittle didn't win.

I thought Martin Sheen and Stockard Channing were wonderful--but had very mixed feelings about the West Wing. Once Buffy went off the air, I no longer had a show To Love--so I was very happy to find BSG. (actually, I thought the final seasons of Buffy were extremely problematic--and that no villain ever measured up to my beloved Mayor, but it was a great, great show.)

And I love, love, love the Emma Peel episodes of the Avengers. No one has ever been cooler--or ever will be.


Liz B: Thank you so much!

Winter Blog Blast Tour for Thursday:

David Mack at Chasing Ray
Paul Volponi at The Ya Ya Yas
Elizabeth Knox at Shaken & Stirred
Ellen Emerson White at A Chair, A Fireplace and A Tea Cozy
Jack Gantos at Seven Impossible Things Before Breakfast
David Levithan at Not Your Mother's Book Club
Micol Ostow at Bildungsroman
Laura Amy Schlitz at Miss Erin
Kerry Madden at Hip Writer Mama
Sherman Alexie at Interactive Reader

and as Wednesday somehow disappeared:

Lisa Ann Sandell at Interactive Reader
Christopher Barzak at Chasing Ray
Julie Halpern at The Ya Ya Yas
Micol Ostow at Shaken & Stirred
Rick Yancey at Hip Writer Mama
Jane Yolen at Fuse Number 8
Shannon Hale at Bookshelves of Doom
Maureen Johnson at Bildungsroman
David Lubar at Writing & Ruminating
Sherman Alexie at Finding Wonderland

*Meg's mother.
**The president in Battlestar Galactica.

Friday, June 22, 2007

Summer Blog Blast Tour : Cecil Castellucci

It's Friday, and Tea Cozy's part of the Summer Blog Blast Tour closes with an interview with the most excellent Cecil Castellucci.

I was blown away by Cecil's first book, Boy Proof, blew me away. I loved Egg, with her mix of securities and insecurities, and her strengths and intelligence.

Her next book, The Queen of Cool, featured someone very different from Egg: Libby is the coolest girl in school. Everyone wants to be her, or be her friend; and Libby finds its not enough.

Next came Beige, which I think may be my favorite. Katy is a teen who thinks she has her act together, but realizes that what she thinks she knows and what is true are two different things. She's younger in many ways from Egg and Libby; Katy is still trying to figure out who she is.

Each book is set in LA, but they are different LAs: Egg is Hollywood, Libby the sciences, Katy the music.

Finally, there is Cecil's graphic novel, The PLAIN Janes. Teenage Jane lives in the city, happy with her life; but when disaster strikes too close to comfort, her parents leave the city for the safety of the suburbs. Jane doesn't want popularity; she wants friends, she wants to make a difference, she wants to be real.

So, on to the interview!

Liz B: The PLAIN Janes, your first graphic novel, just came out. Could you talk a bit about the differences between writing traditional novels and graphic novels?

Cecil: Well, you have to rearrange the way that you think about telling a story. The thing I like about a graphic novel is that you have to just get to the heart of a scene. It's a very lean kind of writing. In my first draft, I tried to keep the dialogue really minimal. Once I saw it all drawn and ballooned out, I went back and removed even more dialogue. You can let things rest more, because there are pictures and working with someone as talented as Jim Rugg, who illustrated The PLAIN Janes, you can just let the image do a lot of the story telling.

That said, it was hard for me to figure how to move the action forward at first, because I had to consider what was going to be shown in the panels. That was hard. In a traditional novel, with words, you can meander a bit, you can rest on a moment or have a lot of fluid action. Also, there is something quite intimate about the written word. It's like resting your cheek against someone elses brain, or like whispering a secret because the reader and the writer sort of agree together on creating what the world looks like. It's a collaboration with the reader in that way. With a graphic novel, everything is there for everyone to see. You know what it looks like. As a writer, I am very glad that I now get to play around in both forms. They are very different and they each have there charms and strengths. I love writing both ways.

Liz B: What was your working relationship with the The PLAIN Janes artist, Jim Rugg?

Cecil: It was awesome. Working with Jim Rugg has been and is (we are currently working on the second Janes book, The Janes in Love) a truly amazing and inspiring experience. Besides sort of gently guiding me through those first scary pages of The PLAIN Janes and "having my back," he is just so smart and so talented I pinch myself lucky to work with such a fine talent as him. I always love to listen to what he has to say, about panel, pace and camera placement and about the story.

It's also great to have a buddy who cares about the characters as much as I do. We have long conversations about the Janes and we both really care about them. With Jim as my swim buddy, I feel like I did when I was in a band! It's so nice to have a partner! I have an enormous amount of respect for Jim and I hope we get to work together for a long time. Also, he is totally one of the coolest, funniest, nicest people I've ever met! Go read Street Angel!

Liz B: You're an author; and a director, a performance artist, a musician, an actress (I'm sure I'm leaving something out!) Since I'm someone who was a lawyer, is a librarian, and who knows what will happen next week, I love stories of people who pursue multiple dreams. I was wondering; what was your path from indie musician to YA author?

Cecil: To me, I always was telling stories! It's like when an artist, I mean a visual artist, sketches with pencils or does a water color, or mixed media or oils or acrylics they are still an artist. It's just a different brush, a different way of painting the picture, but the same thing: a piece of visual art.

For me, being in a band or making a movie or doing a performance piece or a stand up show or writing a play, novel, comic book, it's all the same thing. It's a way to tell a story, which is what i always wanted to do. That said, I started off in film school and when I was in film school I started a band with a couple of girls called BITE. When I was in BITE I wanted to write a book about an all girl teen band. The first novel I ever wrote, that is in a drawer never to see the light of day was about that. I think BEIGE is kind of my reworking of that first idea from when I was in a band a million years ago.

Liz B: Why YA?

Cecil: The thing about writing for Young Adults is that is the moment in life when you are declaring and figuring out what kind of a human being you are going to be. You are deciding everything and everything is a first time. That's an incredibly compelling fertile place for story telling. As a writer, it's an irresistible one.

Liz B: And were you reading much YA before you started writing YA?

Cecil: When I was a young lady, and now as an older young lady, or a person who is young at heart, it always bugged me that there was this line between adult and young adult. When I was a young adult, I liked things that were much broader than what teens were supposed to like and as an adult I love things that are supposed to be just for teens. So, yes, in a way I was always reading stuff that was for much younger. But honestly, I think before I started writing YA seriously, I was reading more middle grade stuff. But once I found my voice and discovered that it was 14+, I started reading more mature YA books. But, you know, I'll read anything that's good. I like good books. And I think that YA is defined as being a 12 - 99 age range. So that pretty much includes everything ever written.

Liz B: One of the things I love about your work is the adults. The parents and other adults in your books are well rounded, sympathetic, fully realized characters with virtues and flaws. Much as I love your YA books, I'd love to read a book by you with an adult as the main character. Any chance of that happening?

Cecil: I am pretty sure that at some point, in what I hope will be my very long career as a writer, that I will write a novel for adults with an adult as the main character. For me, a story presents itself to me and tells me how it wants to be told. My plays, my movies and my performance pieces have adults and deal with adult themes. And I don't mean that they are pervy! I mean that right now, those outlets seem to be where I am exploring some of those other themes and narrative questions that I have.

I am also going younger! I have a picture book, Grandma's Gloves and an early chapter book series coming out (both on Candlewick) for the 6-10 year old set! And that includes my first story with an animal as a the main character! Bring on the ducks!

Liz B: You are a "web 2.0" author, with a LiveJournal/blog, a website, and various online additions for your books, from playlists for Beige to Libby's LA. It's the type of stuff I adore as a reader. What was your inspiration? Were these things that weren't able to be included in the books?

Cecil: Well, I just thought that stuff might be a little bit interesting. I think maybe the "2.0" people are just creative and it's nice to be able to do stuff! I don't want to, say, inflict my poetry on everyone. But it's there if anyone wants to read it.

The add ons, like Libby's Los Angeles, and Egg's Los Angeles (this reminds me that I should do one for Katy/Beige) were mostly because I love LA so much and I thought that people might be interested in the real places that my characters hung out. Like, maybe someone would come to LA and be like "Oh, I want to go to Skoobys to get an awesome hot dog!" or "Let's go to the Merry Go Round in Griffith Park!"

The Beige playlist was something I thought would be fun and interesting, as I love a mix list, but these things seemed like they wanted to have their own page, not to be on my "real" blog.

The I Heart YA, which I am planning on doing more of, and more often, is just fun, because I love making little movies, but I don't have time to make little movies anymore. But I travel and hang out with my YA friends a lot. I figure it's like a mini-documentary of the YA world. I am glad that you like it!

Liz B: I saw from your guest blogging at newsarama that you love Joss Whedon. As you may have guessed from my blog name, I adore him. I also have the Firefly theme song and Man Called Jayne on my iPod.

Cecil: I just bought the boxed set of Firefly. That is what brought me to my new found Joss Love.

Liz B: So, for Buffy the Vampire Slayer; favorite episode?

Cecil: Favorite episode? Hush. I think I cried at that Prom episode, too.

Liz B: Favorite character?

Cecil: Toss up between Anya and Willow and I really liked Andrew in the last season. (For the record on Angel it's Cordelia and Wesley but I'm not done watching that series yet so I reserve the right to change my mind.) (And in case you are interested on firefly it's Wash, Kaylee and Zoe. But of course I'm madly in love with Mal.)

Liz B: Favorite quote?

Cecil: Any time any character makes a word end a -y.

Thank you, Cecil! It looks like after ALA Anaheim, I'll add a few days to do the full LA tour.

Want more Cecil? Check out her SBBT interview yesterday at Shaken & Stirred.

Right now, the ALA Convention in DC has started, and Cecil Castellucci will be there. Her schedule is at her LiveJournal.

Finally, don't forget to visit the other SBBT interviews:

Tim Tharp at Chasing Ray
Justina Chen Headley at Big A, little a
Ysabeau Wilce at Shaken & Stirred
Dana Reinhardt at Bildungsroman
Julie Ann Peters at Finding Wonderland
Bennett Madison at Bookshelves of Doom
Holly Black at Seven Impossible Things Before Breakfast
Justine Larbalestier at Hip Writer Mama
Kirsten Miller at A Fuse #8 Production

Wednesday, June 20, 2007

Summer Blog Blast Tour: Laura Ruby

It's Wednesday on the great SBBT, so that means we have Laura Ruby stopping by!

Now, this is one of those times where it's a good thing that the interview happened via email; because in real life, the interview would have turned into one long session of watching Buffy and Veronica Mars, and chatting about families, and growing up in New Jersey. With no interview.

Laura is amazing because she writes for all ages: for kids she has Lily's Ghosts, The Wall and the Wing and The Chaos King; Good Girls for teens and I'm Not Julia Roberts for adults. Her books aren't just diverse in terms of age; she writes ghost stories, fantasy, coming of age and humor.

Good Girls, Ruby's YA book, is a look at love, lust, sex, sexuality, rumors, and emotions. Audrey hooks up with Luke; someone takes a photo; and the next thing, the picture is all over school. It's even been sent to her parents. Last week, she was a Good Girl; this week, she is the slut, the ho. Now, boys think it's OK to say rude things and make rude gestures because, you know -- she's that kind of girl. The girl who would do that.

So, on with the show!

Liz B: Good Girls is such a topical book and has such an intriguing question: what is a good girl? What was your inspiration for writing Good Girls?

Laura: I was mulling over what I wanted to work on next when I noticed that sex was everywhere (I know, I know, DUH). But really, I felt like I couldn't get away from the endless blather about Paris Hilton and Girls Gone Wild and MTV and Maxim and myspace and whatever -- most of it horrible, misogynist garbage. I wondered what would happen if a "good" girl got caught on camera. How would she ever get her life back in this culture? I thought it was a good idea for a book, but I had no voice for the story, no soul. I set it aside and worked on other things for a while, until the day one of my stepdaughters came home from high school and told me that some obnoxious, deeply stupid little boy was spreading rumors about her and it didn't seem to matter to anyone that they weren't true. Something in my head just burst (an aneurysm????) Suddenly, I didn't just have a story about a "good girl" caught on camera, but one about rumors, betrayal, friendship, and privacy invasion.

Liz B: One of the things I love about Good Girls is it is not a message book. If anything, it's a question book; raising questions for the reader to answered about what it means to be a "good" girl, appearances, rumors, private and public lives. Can you share a bit about the writing process? Did you ever find yourself rewriting to avoid it becoming a message book?

Laura: Writing Good Girls was unlike writing any of my other books in that it was a completely wonderful experience; I loved every minute I spent working on it. Even getting that first draft down, usually the most agonizing, wrenching part of the process for me, was an absolute dream. I'm sure it wasn't a dream for my family, however, because it was all I could talk about for months. They did a very good job not rolling their eyes when I would relate conversations between my characters as if they were real.

Liz B: Another thing I love about Good Girls is that I got to the end and had to reread it; because while I wouldn't call Audrey deliberately unreliable, she and the reader discovered things that really changed how a reader viewed some of the events in the book. Was this challenging to write? How did you keep track of what Audrey realized and when?

Laura: I didn't really. I wrote this book in a fever. I didn't keep outlines, I didn't plan chapters, I just wrote as fast and as well as I could and saved the technicalities for later. During the revision process -- my favorite part of the process by the way -- I had to go back and make sure all the "clues" were placed where they should be, that the chapters, though not chronological, were in the right order, etc.

I do understand that writing/revising a book this quickly, easily, and happily will most likely never, ever happen again (sob!!!).

Liz B: You've written for every age level, including adults. Could you share some of the challenges of doing that? Do you ever have a "hmm, I've just strayed from kid to YA" moment?

Laura: I think I did have some of those moments when I wrote my first book, Lily's Ghosts. My editor had me take out some teenage angsty/angry moments in the book. — none were in the least racy, just a hair too old for the 13-year-old POV character. Now, I have a pretty clear idea of the voice and POV of each book -- sometimes even before I start to write it -- so I don't often feel confused about what I'm writing.

I think the challenges are more about the marketing of the books, making sure my audience understands that I write in many different genres and for many different age groups. I'm sure there are days that my agent thinks I'm nuts.

Liz B: Speaking of marketing -- your most recent book is for adults. Did you find the process of this book (from editing to marketing and publicity) to be different from that of books for kids and teens?

Laura: Writing "I'm Not Julia Roberts" was a completely different process because I wrote and revised it over the course of eight -- yes, eight!!! -- years. And then I revised it for my agent three times, and another few for my editor. We were all exhausted, I think! Getting just the right cover was also a challenge, but I love what was done with the book.

As for publicity, that was also completely different, because you have to rely on a lot more heavily on newspaper reviews and magazine placements to get the word out. (With children's books, there are not only pre-pub review sources, but there are school visits, conference appearances, and library talks that can be done to promote books. Also, teachers, librarians, even state organizations that will select kids' books for "best of" and "recommended reading lists). I was lucky as my publicist worked really hard to get my book into some magazines like People and Redbook.

Liz B: Speaking of your book for grown ups -- I'm Not Julia Roberts is a work of fiction about step families. What was the inspiration?

Laura: My whole life! I'm a stepdaughter, half-sister, step-sister and stepmom myself, and have lived in just about every permutation of "family" that exists in the universe (okay, not polygamy, but you know what I mean). When I first became a stepmom some ten years ago and was feeling completely overwhelmed, I read tons of books about stepparenting. Most of them were full of horrible advice guaranteed to make your stepchildren hate you forever. I just wanted something that was true -- not necessarily factually, just emotionally. (I know I sound like that million pieces guy, but I promise I don't have any stories in the book about getting beaten up and thrown in jail). I wanted a little commiseration, not bad advice. So I started writing. My book isn't autobiographical, but I do think it's honest, if that makes any sense at all.

Liz B: Let's talk Veronica Mars.

Laura: Oh, let's!

Liz B: Do you think there should be a wrap up movie?

Laura: Yes. I think there should be an entire series of wrap up movies. At least six. Or twelve.

Liz B: What was your favorite episode? Favorite character?

Laura: I adore Veronica and her dad -- the dialogue was always amazing on that show. But I have to admit a heavy fondness for Dick Casablancas. He was so hilariously clueless, and yet had just those teeny, tiny few moments of humanity that made it so hard to hate him completely.

As for a favorite episode, I honestly can't pick. I can't! Don't make me!

Liz B: (who also had a mini crush on DC): What will you watch now that its gone?

Laura: I'll probably just keep watching reruns of Law & Order, hoping against hope that there will be one episode I haven't seen yet. And I'm thinking a Buffy marathon might be in order.

Liz B: And as an aside, I just got a copy of Neptune Noir, essays about Veronica Mars, and that is helping.

Laura: A book I obviously need.

Beyond that... I think I'll spend the summer rewatching either Buffy.

Liz B: You read my mind.

So, faithful readers: what do you think should be the TV Series On DVD Summer Event for Laura and me and other Veronica Mars fans? Vote now!

Want to read the other interviews with Laura, and find out more about her middle grade books?
On Monday, Laura was at Writing and Ruminating; on Tuesday, she was visiting Miss Erin; tomorrow, she'll be at The YA YA YAs; and then she'll take a well deserved rest!

Other interviews today:

Mitali Perkins at Hip Writer Mama
Svetlana Chmakova at Finding Wonderland
Dana Reinhardt at Interactive Reader
Holly Black at Shaken & Stirred
Hilary McKay at Bookshelves of Doom
Kirsten Miller at Miss Erin
Julie Ann Peters at A Fuse #8 Production
Carolyn Mackler at The YA YA YAs
Jordan Sonnenblick at Writing and Ruminating

Remember to stop by Chasing Ray, where in addition to the list of interviews. Colleen includes fun quotes from the interviews.

Monday, June 18, 2007

Summer Blog Blast Tour: Justine Larbalestier

The Summer Blog Blast Tour starts at Tea Cozy with Justine Larbalestier!

Justine is the author of the Magic Or Madness Trilogy, Magic Or Madness, Magic's Child, and Magic Lessons. Magic Or Madness begins with Reason, 15, on the way to her grandmother's house... plotting how to escape, reminding herself not to eat the food lest she be poisoned. Reason's mother, Sarafina, has taught her well: stay away from Esmeralda. The two have spent their whole lives running from the woman. But now Sarafina is hospitalized, Reason is in Esmeralda's home, and Reason is about to find out: magic is real.

Magic or Madness recently won the Andre Norton Award. Justine blogs, where, among other things, she addresses the age old question: zombies or unicorns?

On to the interview!

Liz B: I love how the magic in "Magic or Madness" is treated as something real. It's not an instant cure for things; and it has real consequences. How much of the rules and science of magic as it exists in your trilogy did you plot out before writing "Magic or Madness"?

Justine: I knew the central conundrum from the beginning: use your magic and die early; don't use it and go mad. The rest fell into place (*cough*) as I wrote.

Liz B: Once you established your rules and 'verse in Book One, did that impact your writing of "Magic Lessons" (book two) and "Magic's Child" (book three)?

Justine: Yes! I had an outline for the three books. Magic or Madness more or less followed it, but Magic Lessons went right off the rails, and then Magic's Child bears no resemblance at all to the original outline. I'm very impressed by writers who are able to stay faithful to outlines. My books are much more recalcitrant than that. They keep twisting and changing as I write. I work a great deal out on paper which means loads and loads and loads of rewriting.

Liz B: Did you have any moments in the later books when you thought, "oh, I wish I could revise "Magic or Madness" in order to do x or y in this book"? (As a total aside, I think I freaked out a YA writer when I said something similar to her...she's writing a series and the first one is published, and I wondered, what if you get to book 3 and realize the main character should have had an older brother?)

Justine: I was able to go back and make changes to Magic or Madness while I wrote the first draft of Magic Lessons. It was fabulous! Unfortunately, I was so late with Magic's Child that it wasn't possible to change Magic Lessons to fit. Instead I had to make Magic's Child fit the first two books. Which, yes, was maddening. If I ever write another trilogy (which I have taken a sacred vow---along with Libba Bray---not to do) I will write all three books first and then sell them.

Liz B: You travel so much that I get jet lag from reading your blog. How does having multiple homes, and traveling, impact your stories?

Justine: I thought you were going to say "impact my life" and then I was going to start crying. :-) It might look glamorous from the outside but it is chaotic and insane from the inside. It would be so lovely never to get on another plane again. I do love seeing other parts of the world though. I'd go back to Buenos Aires in a heart beat. I just wish I could teleport there.

One obvious impact of travel is that I get to write about places other than Sydney. I'm one of those writers who needs to have visited a place in order to write about it. The more places I spend time in the broader my range of settings. Of course, there's no where on Earth I can write about as easily as I can about Sydney.

Travelling also forces a writer (or anyone else) to see that there are many more ways of being in the world than just what you've grown up with. I truly believe travelling broadens the mind. Think of how much more amazing Emily Dickinson's work would have been if she'd gotten out some. Of course, there are some people who manage to travel without learning a thing about themselves or anyone else. Don't know how they do it.

Liz B: You won the Andre Norton Award for "Magic or Madness", and Printz Honors have gone to books by Australians Marcus Zusak, Sonya Hartnett and Margo Lanagan. Are Australian writers plotting to take over the world? Seriously, though, how are the markets and audience for YA books different between Australia and the United States?

Justine: Aussie! Aussie! Aussie! Oi! Oi! Oi! I yelled that out at Markus when he was giving a speech at BEA but I don't think he heard me. Le sigh. I am absolutely astonished by the quality of writing at home. Ursula Dubosarsky is astonishingly good as is Jaclyn Moriarty, Simmone Howell, Randa Abdel-Fattah, Melina Marchetta and Garth Nix. And then there's writers like Scot Gardner who haven't been discovered in the US yet. Wait till he and all the other geniuses back home start publishing in the USA. Then you'll see a total takeover.

Liz B: Buffy the Vampire Slayer (and we can pretend that most of Season 7 never happened.) Favorite character?

Justine: Oz and Faith.

Liz B: Favorite episode?

Justine: "Once More with Feeling" (the musical episode)

Liz B: Favorite quote?

Justine: Xander: "I'm a 17 year old boy: looking at linoleum makes me want to have sex."

Justine, thank you very much!

Want more? Justine will be at Big A, little a on Thursday and HipWriterMama on Friday.

On a final note, let me add that I've had the pleasure of meeting Justine twice. During the past New Jersey Library Association Conference, and at ALA in New Orleans.

Please visit the other Monday stops on the SBBT (Summer Blog Blast Tour):

Tom & Dorothy Hoobler at Chasing Ray
Mitali Perkins at Big A, Little a
Sara Zarr at Interactive Reader
Justina Chen Headley at Hip Writer Mama
Dana Reinhardt at lectitans
Brent Hartinger at Seven Impossible Things Before Breakfast
Laura Ruby at Writing and Ruminating
Jordan Sonnenblick by Bildungsroman
Ysabeau Wilce at Finding Wonderland

Friday, March 30, 2007

Poetry Friday: Interview With Alma Fullerton: What If's Are A Writer's Best Friend

Welcome to Pop Goes The Library's interview with Alma Fullerton. Fullerton writes for teens; In the Garage was published in 2006, and Walking On Glass in 2007. Fullerton lives in Canada, blogs, has a MySpace, and agreed to an interview. Fullerton knows what it's like to sit in the interviewer chair, and has several great author interviews at her website.

Liz B: Your books, In The Garage and Walking On Glass, were "born" close together -- practically twins, with one being published late 2006 and one 2007. Which was written first? Could you share a bit of the time frame involved with both of these books, from writing to an agent to publication?

Alma: I started writing Walking on Glass in about 2002. It went through several sets of revisions before I sent it out. I queried one publisher in June 2003, but then heard my acquiring editor at HarperCollins was looking for that type of book at the end of Nov. Not yet hearing back from the other publisher, I e-queried him. He responded within seconds for me to send it.

It was sent snail mail and only 1/2 of it got there so I had to resend it. By this time it was mid - Dec. 2003 . Soon after I heard back from the other editor that she also wanted the full. By the end Jan.2004 I had both houses take it to acquisitions.

At this time I approached an agent, who I was already acquainted with. She loved the book and took me on. My editor at HarperCollins called in Feb. 2004 with an offer. We pulled it from the other publisher.

In June my acquiring editor left and I got an new one. (I really liked her too so all was well). I didn't get a contract until late Sept. 2004.

By this time I was writing In the Garage. That book went to the publisher at RedDeer in October 2005. Within three day he got back to my agent saying he wanted it. I signed a contract in March 2006. The book went through one set of revisions in May and copy edits in July and came out in Nov. 2006.

Walking on Glass didn't come out until Jan. 2007 - almost three years after the contract was signed, so my publishing time line went from extremely slow to extremely fast. Someday I'd like to be able to get a book published in the average time of around 18 months.

Liz B: Both books are about teens facing traumatic events. In The Garage is about BJ and Alex's friendship and betrayals; and Walking On Glass, a act of despair by the narrator's mother. The teenagers in both are dealing with some pretty dark things. What inspired these stories? What attracted you to them?

Alma: Both books were inspired by real life events. I had a f